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My Heaven My Art Became a World Beyond as Remote as My Love

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've always taken an fine art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, most of what we learn about art history today still centers on white men from Europe and, after, the United States. In reality, there are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a await at just some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its almost unsung heroes, these women artists all had a hand — and, in some cases, however have a manus — in irresolute the globe of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than xxx years. Later studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman's Untitled Motion-picture show Stills (1977–eighty). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was function of the Pictures Generation during the 1980s, and is perhaps most well known for her serial of Untitled Picture show Stills (1977–fourscore) — self-portraits in which Sherman "posed in the guises of various generic female picture show characters, among them, ingénue, working girl, vamp, and solitary housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'south influence over our individual and commonage identities.

Yoko Ono

A still from the functioning Cut Slice, 1964, and a picture show of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York City in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You might first think of Yoko Ono every bit a musician and activist, but she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her virtually revered works, Cutting Piece, was a operation she commencement staged in Japan; Ono sat on phase in a nice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on phase and cut away pieces of her clothing. "Art is like animate for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar's Black Daughter's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Earlier condign a printmaker and activist, Betye Saar studied design and was employed equally a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was function of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of art, then you might exist able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the Earth Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'southward rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes similar death and identity through her self-portraits. Kahlo oft used bold, brilliant colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she'south also known for her hyper-real sculptures, polka dots, installations, and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oftentimes doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — every bit she was the outset Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a piece of work from her series, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you lot likely acquaintance Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the kickoff woman painter to proceeds the respect of the New York fine art world, all by painting in her unique manner.

Adrian Piper

Adrian Piper wins the Gilt Panthera leo for best creative person in Okwui Enwezor's biennial exhibition All the World's Futures, role of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Urban center. She used her piece of work to question society, identity, and racial politics by enervating the audience to confront truths nigh themselves. She often challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed as a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her wearing apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photo in her exhibition Our House Is on Burn down at the Robert Rauschenberg Foundation in New York Urban center in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study art in Los Angeles, California — earlier the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship betwixt Islam'southward cultural and religious systems and women. Moreover, Neshat'south works frequently create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertizing billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that human activity equally meditations on various concepts, such equally trauma, knowledge, and hope. One of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'southward Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to heighten awareness around the prejudice, violence, and attempted erasure of Indigenous North American civilisation. In 2005, she was the showtime Indigenous adult female to correspond Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider to a higher place — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the primary styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Niggling Gustation Exterior of Dearest, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced past pop civilisation and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago'southward seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces oft examine the part of women in history and culture — in the 1970s and before. While at California State Academy in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Brutal was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oft of Blackness folks, Savage founded the Fell Studio of Arts and crafts in Harlem in 1932, and, a few years afterwards, she became the outset Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative operation fine art practices, Carolee Schneemann is considered the progenitor of "body art". (Only look up her most famous work, Interior Whorl, and you'll see what we mean.) She used her body to examine women'southward sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin'southward Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In addition to documenting New York City's queer subculture mail service-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her last proper name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Notwithstanding, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art civilisation.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'due south last public committee was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World State of war II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of 9. She uses her photography to examine social norms, and, in doing and so, displays diverse subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Even so from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Honor from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and fine art to address global bug such every bit racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Assistants (WPA).

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